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The
Second Amendment Club
by Peter Morris
at C Underbelly (Venue 61), Edinburgh
Peter
Martin
The
first amendment guarantees the freedom to say anything you want.
But when everything and anything is being said, the meanings get
lost and judgement becomes relativised. That is why we have the
second amendment, to allow judgement to be enforced. In Peter Morris'
new play these amendments to the American constitution are reworked
through the mind of Martin D Roland, a disfunctional 18-year-old
high school student from a broken suburban family. Martin is becoming
an adult, but struggling to find an identity for himself. He has
burned all of his childhood possessions, but now his bedroom is
empty. He doesn't want his nickname 'Teen', but nobody knows his
real name. He hates his stepmother. He communicates with nobody.
In
his isolation Martin develops extreme views and a clinical hatred
of humanity. Only through the internet does he let off his steam,
and when this is taken away he reaches breaking point. Martin believes
that nobody understands him, except himself. But the audience acts
as Martin's own consciousness, and so he can tell them about himself
knowing that they will understand and be sympathetic. The audience
reacts to what Martin tells them, Martin then reacts to this, becoming
more excited or more glum. The production and direction of this
play are excellent. A superb performance by Ben Duhl as Martin makes
this a thoroughly engaging production.
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