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And all the Children Cried
BAC, London


Mark Tyson

And all the children cried looks like a play with a message. The writers Judith Jones and Beatrix Campbell favour a style of 'gritty realism' that is often disparaged these days. The play is set in a prison cell, and is a dialogue between Myra Hindley and her emotionally disturbed cellmate Gail, a frighteningly realistic portrayal by Gillian Wright.

The trouble with docudrama is that it is hamstrung, in that it can not be seen to be straying too far from the truth without losing credibility, while fictional aspects appear as true. The result is polemic that lacks the courage of its convictions.

Putting Myra Hindley on stage was itself a brave and controversial move, leaving the writers open to the charge of exploitation and sensationalism, but this is not just a provocative defence of free expression. When it was written, And All the Children Cried was an intervention into a national debate about Hindley and whether or not she should be released from prison. The balance of the play can not help but be affected by Hindley's death.

A broader theme is society's attitude towards women who kill. Some argued that Hindley was not only being punished for the murders that she commited, but for transgressing society's notion of women as caring and nurturing. This argument does not have the resonance that it would have had thirty or forty years ago. Women have been dragged from/fallen off their pedestals - whether this is a victory for feminism is a moot point.

In her closing speech Hindley indignantly expresses her frustration that her insights and knowledge in the ways of murderers and their accomplices will go with her to her grave. This is a more contemporary issue. There is an ongoing debate about whether convicted serial killers should be encouraged to provide information that may be useful in the detection and prevention of future crimes. This seems reasonable in the interest of forensic psychiatry, but the spectre of the celebrity serial killer looms. In our celebrity obsessed age, perhaps anonymity is the severest penalty at society's disposal.


Till 7 March.

 
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