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Mark
Haddon, an established children's author, has written a highly polished
and engaging first novel for adults. The story is narrated by a fifteen
year old boy with Asperger's syndrome (similar to autism), who lives
with his father in Swindon. On the face of it, we don't seem to have
the ingredients for an exciting story, but the adventure begins when
the protagonist discovers his neighbour's dog murdered and decides to
find the killer.
Haddon's
skill is to balance our sympathy for the narrator with our alienation
from him. He is a child, vulnerable and afraid and easily provoked,
yet at the same time, he can be utterly self absorbed, ignorant of his
parents' frustrations and even cruel. There are no moral judgements
because it is impossible to judge someone without any sense of guilt.
Haddon is an acute observer who shows us the perspective of someone
who can only understand the most tangible experience - a kind of sensory
empiricism. One particularly beautiful description of the sound of an
approaching underground train: 'like two swordsmen fighting' is an example
of how sensory experience is rendered material and real. The boy dislikes
metaphor because it is a 'lie' to pretend something is actually what
it is not. As a result, the his startling descriptions of inanimate
objects, human behaviour and common custom show the world in an entirely
new light. Clearly, Haddon's training in clear, accessible language
for children gives him an advantageous starting point.
Ultimately, the book regards a world where mathematical formulae seem
safer than the irrationality of human behaviour (not something entirely
exclusively felt by the mentally ill). The predictable laws of science
are far easier to grasp than the passions of people, and hence less
frightening. But at the same time, this book affirms for us the importance
of such emotions and even if our narrator does not in the end appreciate
this, the reader does.
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