The aftermath

This week, following the Battle of Ideas festival in London, Rob Clowes reviews Anna Minton’s Ground Control, and considers how the transformation of public space might reflect deeper changes in how members of the public interact. And in London theatre, Miriam Gillinson enjoys Nick Payne’s If There Is I Haven’t Found it Yet at the Bush, while Matt Trueman reports from the Chelsea Theatre’s SACRED festival, and reviews Slung Low’s meta-horror show They Only Come at Night at the Barbican, as well as Diana Vickers in The Rise and Fall of Little Voice at the Vaudeville Theatre.

Coming soon: more on public space, fiction, poetry and Battles in Print.

3 November 2009