CW Editorial Notes
CW weekly editorial notes are archived here.
CW editorial note - 10 February 2012
Sola scriptura?The Bible Now, and London theatre and opera
CW editorial note - 4 February 2012
Designs for lifeHow to direct a play, London theatre and Terence Conran
CW editorial note - 27 January 2012
Staging historyThatcher on stage, London International Mime Festival and war photography by Don McCullin
CW editorial note - 14 January 2012
Curtain upLondon theatre, multiculturalism and the symphony
CW editorial note - 5 January 2012
Happy new yearRoyal Manuscripts and postwar British painters
CW editorial note - 16 December 2011
Cultural studiesBaudrillard, cognitive technology and London theatre
CW editorial note - 9 December 2011
Reimagining the pastDavid Owen Norris on Winterreise with puppets, plus Shiraz Bayjoo at the Whitechapel Gallery and AD Miller’s Snowdrops
CW editorial note - 2 December 2011
Winter on the London stageThe Riots, Matilda: The Musical, The Comedy of Errors and Wuthering Heights
CW editorial note - 25 November 2011
Bodies in motionLeonardo at the National Gallery, Nonclassical, Panic on a Plate, Honey Money and London theatre.
CW editorial note - 11 November 2011
London and the worldAnish Kapoor’s Arcelormittal Orbit, contemporary music and theatre in London, and the Greek referendum debacle.
CW editorial note - 3 November 2011
Keeping in touch with our humanitySherry Turkle and antisocial networks, Contagion, and the ENO’s The Marriage of Figaro
CW editorial note - 21 October 2011
Creative realitiesState-funded orchestras, Raymond Carver, Deon Meyer and the creative process, plus London theatre
CW editorial note - 14 October 2011
Seasonal sights and soundsLondon theatre and talks, Boulez on the South Bank and Purcell’s Fairy Queen on tour.
CW editorial note - 30 September 2011
Ideas in musicMieczyslaw Weinberg’s The Passenger at ENO, John Cage on the South Bank and Degas at the Royal Academy
CW editorial note - 23 September 2011
Questioning artInterviews with artists Christian Jankowski and Richard T Scott, plus London theatre reviews
