Hugh Ortega Breton

October 2007

Lifeless eyes

This is definitely a powerful anti-war movie, but its power is diffused inwardly rather than outwardly focused onto the centres of political power. The dead cannot see, but neither can the living when the feeling is too strong to be understood.

April 2007

Politics of Modernism: Against the New Conformists

Williams’ critique of cultural pessimism (from Culture & Technology, written in 1983) remains relevant given the still current trend to disavow the future and its alternative potential, and to categorise new technologies alternately as both determinants of social change and threats to established artistic, now ‘classicalised’, forms.

Last time on Culture Wars


Designs for life
How to direct a play, London theatre and Terence Conran
4 February 2012

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