Robert Greenwood

June 2009

Jazz and the myth of authenticity

The counterculture never did have any time for aspiration. Jazz, for some, may have been a form of cultural slumming, but for many blacks, working at monotonous, low-paid jobs and paying high rents to live in overcrowded apartment buildings, the music and its performers offered a glimpse of a better life that was demonstrably within the grasp of black Americans. Music was one arena in which blacks could be seen to excel.

Last time on Culture Wars


Designs for life
How to direct a play, London theatre and Terence Conran
4 February 2012

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